Most buyers don’t ask the seller to paint rooms in the house, but they can if they want to. Paint is typically not very expensive and can be a highly personal choice. Buyers should be careful not to ask for cosmetic repairs, such as new paint. There are no mandatory seller fixes after a home inspection, and sellers are never required to make repairs or modifications to their property. While a buyer’s repair requests aren’t mandatory, some should be considered reasonable.
When selling a house as-is when it needs repairs, an appraiser can require repairs if they identify issues that affect the safety, livability, or structural integrity of a property. Painting a home’s interior could raise the sale price by 1 to 3 percent. Most real estate contracts include home inspections, and repairs may be part of the deal. If an inspector finds a problem, you don’t really need to do renovations before selling. If the rooms need repainting, then by all means repaint them before putting it up for sale.
There is a raging debate by estate agents and interior designers about the best colors to paint a home you want to sell. Painting your house before you sell is a good idea that can improve your sale price and speed up the selling time. Home sellers must alert prospective buyers to the risks on their property posed by lead-based paint.
In conclusion, painting is one of the most cost-effective ways to update a home before selling it. It can help maximize resale value without breaking the bank. The homeowner is responsible for making sure their furniture is moved in accordance with the painter’s needs.
📹 How “Selling Out” Has Changed for Adam Savage
Do professional makers look down on hobbyists? Does Adam Savage plan projects in steps or in one go? What’s the most …
Can I paint my own house interior?
Interior painting is a popular DIY home improvement activity that offers an affordable and easy way to freshen up rooms. It requires proper preparation, including scraping, sanding, patching, and filling every hole, crack, dent, and surface imperfection. Primer is essential for walls and ceilings when painting new drywall or over dark colors. Primer serves three main functions: blocking stains from bleeding through, allowing one-coat coverage for the paint, and improving paint adhesion.
Professional painters often tint the primer toward the finished color by mixing a small amount of topcoat paint into the primer, which enhances the topcoat’s ability to completely hide the primed surface. Overall, interior painting is a cost-effective and easy DIY project that can be done without specialized training.
Should I paint my house white before selling?
Fixr’s survey of pros suggests that white paint is the best way to sell a home, as it provides a blank slate for future buyers and gives living rooms a fresh, well-kept appearance. Popular white paint colors include Snowbound or Greek Villa from Sherwin Williams and White Dove and Chantilly Lace from Benjamin Moore. Airy white or soft taupe paint is a winning option for bedrooms, while pale blue is the best-selling hue for small spaces like the washroom or laundry room. Samples for these paints include All White from Farrow and Ball or Moonmist by Sherwin Williams.
What to do before painting the interior of a house?
Preparing a house for painting involves several steps, including removing smaller objects, moving larger ones, unscrewing outlet and light switch covers, placing painter’s tape around windows, doors, and baseboards, and laying down drop cloths. This is a critical step in the renovation process, as it saves time and money, and ensures proper paint adhesion and longer lifespan. House painting is a vital home maintenance project that protects the home from weather damage caused by water and sun.
Neglecting peeling exterior paint can lead to high siding replacement costs. Therefore, it is essential to prepare your home for painting before the paint even hits the wall, as it can save time and money.
Can I paint the interior of my house?
Painting a house interior can be a simple and efficient process if done correctly, using painter’s tape to protect areas from paint drips. For first-time DIYers, consulting with experts or hiring a team of interior decorators and painters can ensure a smooth process. Connecticut offers some of the best house painting contractors, known for their excellent work and customer service. Start with smaller areas like kitchen cabinets or closets, rather than painting the entire walls at once, to avoid risks and potential damage, including costly paint spills. Start with smaller areas like kitchen cabinets or closets to avoid potential damage and potential costs later.
How often should a home’s interior be painted?
Painting needs vary for each room in a home, with living and dining rooms needing a fresh coat every 5-7 years, master bedrooms up to ten years, and kids’ rooms 3-5 years. Factors like paint quality and room usage affect the longevity of interior paint. The initial prep work and the quality of paint used significantly affect the paint’s lifespan. Proper drywall prep is crucial for a good painting job, as it helps lay a solid foundation for the house and prevents the need for additional repairs. Therefore, it’s essential to consider these timeframes when repainting any rooms for optimal results.
Is it cheaper to paint your own house interior?
The average cost for interior painting in a home is between $3. 25 and $7. 75 per square foot. This cost may be lower if the job is done yourself or in a low-labor area. However, high ceilings, wall repair, or accent walls can increase the cost. The cost depends on the type of room and the obstacles like appliances and fixtures. The square footage of the room also impacts the total cost. The average cost for painting a room based on common room sizes is shown in the table below.
Do I need permission to paint my house?
Planning permission is not required for minor repairs or minor improvements, such as house painting. However, listed buildings require listed building consent for significant internal or external works. Living in Conservation Areas, National Parks, Areas of Outstanding Natural Beauty, or World Heritage Sites requires planning permission before cladding the outside of a house with stone, artificial stone, pebble dash, render, timber, plastic, or tiles.
Is it worth painting the interior of a house?
Painting your home’s interior can significantly boost its value and appeal in the housing market, with a return on investment (ROI) of around 100. However, there are various factors that can affect the value of your home, and bright, vibrant colors, particularly in the kitchen, can decrease buyer interest and home value. It’s difficult to accurately calculate the effect of painting on your home’s value due to numerous variables. Generally, fresh interior paint can increase your home’s value by up to 5 and have an ROI of 100 or more.
How much does interior paint increase home value?
A fresh coat of paint can significantly increase your home’s value by an average of $4, 000, with a 107 ROI for interior painting and a 55 ROI for exterior painting. However, adding a new coat of paint can be challenging, especially when considering both interior and exterior painting. To ensure you get the best deal and avoid spending more than you should, consider several factors, such as the type of paint, location, and time frame of the project.
How often should the interior of a house be painted?
Painting needs vary for each room in a home, with living and dining rooms needing a fresh coat every 5-7 years, master bedrooms up to ten years, and kids’ rooms 3-5 years. Factors like paint quality and room usage affect the longevity of interior paint. The initial prep work and the quality of paint used significantly affect the paint’s lifespan. Proper drywall prep is crucial for a good painting job, as it helps lay a solid foundation for the house and prevents the need for additional repairs. Therefore, it’s essential to consider these timeframes when repainting any rooms for optimal results.
Should you paint when you buy a new house?
Many homeowners believe that painting before moving in is a no-brainer, as it allows them to start fresh with their own colors and make the house feel more like a home. This is especially important for homeowners who plan to buy new furniture when they move in. Interior designers recommend waiting to paint until the move in day to see how their furnishings look and what colors they want to pop in a room. This is especially beneficial for homeowners who have trouble deciding on a color palette and want to see the light and color variations depending on the time of day or weather outside.
Many homeowners find that the list of repairs, home improvements, and moving chores is enough to keep them busy, so painting may need to be something that waits until things have calmed down. Jerry Enos Painting can help make your house a home with fresh paint in every room and on the home’s exterior. Call them at 978-546-6843 to learn more.
📹 No Skills Needed! 🎉 | Get Paid $3,000/month | Make Money Online, Easy Work From Home Side Hustle
No Skills Needed! | Get Paid $3000/month | Make Money Online, Easy Work From Home Side Hustle Try Gelato for free and …
1:01 when I was younger I loved offloading and working on jeeps. I started working in a offroad shop. One time I went to an jeep event, and never unloaded my own vehicle because the whole time I was working on others vehicles. I decided then, that I didn’t want this to be a job. If you find a way to make you Hobbie into a job, you will never work again, saying isn’t always true. Sometimes it take the fun out of your hobbies.
I don’t know about being nostalgic for it, but my experience with changing consumption of media involves using Bearshare and Limewire as a kid in the 90s and downloading a song never knowing if it is 1) labelled correctly, 2) the song you’re even looking for, 3) not a troll, and 4) not a virus until it’s finished downloading, which itself could take hours for a single song. I remember thinking that Wheel in the Sky was NOT Journey but some other person for years because the version I got from Limewire was mislabelled. I even remember thinking “man, this sounds a lot like Journey”.
Let’s go do some crimes. Let’s eat sushi and not pay. Re-po, Re-po, Repo Repo, Repo Man! 😁 My childhood movie is steeped in trauma. For some reason, my parents thought I would be asleep in the backseat as we went to the drive-in and they watched Jaws. Now at 57 years old, I still can’t swim, hate boats and being on the water, and am terrified of sharks. Multiple combat tours, been blown up, but cringe at sharks. Totally unrealistic phobia, but there ya go.
Taking commissions isn’t necessarily the same thing as selling out. If you’re making someone else’s vision to their specifications using their input that’s just doing a good job. Selling out is when you compromise your own vision or principles for money, fame, success, etc. For example, if an artist who advertised themselves as an anti-establishment human rights activist accepted a contract to make promotional materials for the IDF then that person could reasonably be considered a sellout.
I have this problem. I loved welding in highschool but knew I’d hate every job that involved it. The 5am to 5pm kinda work life in general would be massively negative on my mental health. Also, I do traditional pen and ink artwork every once in a while, and again I only work when the inspiration hits. If I ever made a job out of the things I love to do, it would kill all love I have for them. I’ll take BS jobs that I don’t really have to think about so I can enjoy the things I do at my own pace, and not the pace of customer or a company.
I was 10 when I first saw the billboards advertising “Alien”. I loved sci-fi and I got really excited about the movie. Of course, I didn’t know anything about it other than it was sci-fi. When I went to my older brother (he is 8 years older than me) to get him to take me into the movie he wouldn’t do it. He told me I was too young and that movie wasn’t for me. Later, as a teenager, when I did see the movie I learned that, as much as it frustrated me at the time, my brother was right to not take me to that movie when I was that young 🙂
Tome “selling out ” isn’t profiting or heeding a customers requests, it’s working for or profiting off someone that morally comprises me like if Haliburton came to me and said hey well pay you 20 million dollars to make a high end diorama that depicts a grotesque battle scene but makes it seem like this really cool, happy, hero scene that makes fascism good for the whole family especially the kids. Of course this is an extreme black and white example but compromises of your morality usually are much more subtle and shades of grey.
When I was eight, my parents took me to see the original “Invasion of the Body Snatchers”. I checked under my bed for a week after that, but here I am. Also, during the summers in Texas the local website, 11 at the time – we only had four – would show ‘old’ 30s to 40s movies like the “Thin Man” series and lots of the musicals. And I never tired of perusal the B movies of the time, especially the sci-fi variety, many of which I saw first run at the local theater. I could go on…
Re: Gatekeeping, my friend Mary took a bowl turning class at a Rockler store this weekend, and the instructor made a comment to her class about how people who use CNCs aren’t real woodworkers. While “makers” are generally welcoming and inclusive, there’s still a lot of snobbery within the woodworking faction of making. Whether it’s anti-CNC, anti-construction lumber, anti-pallet wood, or anti-power tool, there seems to be a lot of insecurity to go around LoL
I vaguely remember Beastmaster and I was fond of it at the time. I remember that I loved Buckaroo Banzai and never realized it wasn’t a hit in the theaters because my family almost always waited until movies came out on HBO to see them. I was shocked in college when they had it for student movie night and my boyfriend had never heard of it.
0:57. That’s me. Turned a hobby into a job. Then the hobby became work. Now I haven’t touched that hobby in 40 years. 10 years later I took up a new hobby and would never accept money for it. I helped a lot of people, but I would never accept payment. Enjoyed that until I got too old to be able to continue. (Loss of fine motor skills and poor close in vision.)
I’ve been what we now call a “maker” since I was 8 years old. I’m 61 now. I semi-retired in 2017. The “making” aspect of my life has almost never been a significant source of income for me. I have NEVER met a maker who “looks down” on people who also work for a living doing something else entirely. I myself was full-time employed in the computer and network tech development industry from 1979 to 2017 (and I still do it part-time). I was always “making” in the background. Whether it was electronics or mechanical things. The last 3 years, I’ve spent a huge number of volunteer hours restoring a large (12.8m) former-NATO satellite ground terminal for use in undergraduate astrophysics education. Turning ones maker skills to something like that is decidedly rewarding, if not particularly remunerative 🙂
I was 15 when “Heavy Metal” premiered in theaters. I wanted to see it sooo badly. My older brother did go and see it, and i begged him to take me (it was R rated), and he told me “you’re not old enough to see that.” Which was BS, i had already been reading the Heavy Metal Magazine in book stores anyway. A few cartoon breasts wasn’t going to ruin me.
I was allowed to watch most of The Shining when i was much too young. I feel like I was the same age as Danny when we got it on Selectavision article disk. Most of it didn’t scare me as a kid. The scariest parts were the blood in the elevator and Mrs Massey. I wasn’t supposed to watch her scene. I was sent outside but sometimes watched through the window. Growing up i realised the scariest parts of the movie were part of my real life with the history of substance abuse in my family
The explanation of workflow really resonated with me as a cgi content creator, in particular ‘I go back and forth; sometimes the only way you’re going to know what the next step is is to build the previous step’ I’m a big believer that a lot of stuff in life is transitive, that one area of knowledge/skill has familiarity with totally ‘different’ fields. This back and forth is SUPER familiar to, say, writing. One of the biggest challenges writers have is that you need to write a bunch of stuff you end up changing completely or even just don’t end up using, even if its good. Because it doesn’t work. But you NEED those attempts, or sketches, or test builds, or whatever it is in whatever you are doing to get the ideas you DO end up doing. That ended up a little incoherent, but anyway, back and forth, absolutely.
Beastmaster was one of my lost movies. Saw it at the age of… 7? … when article rentals were a new thing in Norway. No HBO in Norway so I did not re-discover it there. It was one of those few things you have several very clear memories of, but no idea of the actual title. Internet came and I tried several times to find it. Unsuccessfull at first but after some years and possibly after it’s region 1 DVD release I found it. Bought it. Watched it. Loved it. Then the soundtrack became available. Bought it. Listened to it. Loved it.
i have been into hobby building for many years.. i paint miniatures. make models.. carve wood do Celtic artwork and stone carving and metal work and many other things 3d resin and 3d scanning.. and everyone wants to buy what i make. and say you should sell this stuff.. problem is. everything is a one of a kind.. and i know if i sell it i will never have it again.. and i have tried making money from my hobbies. but you are so right.. hobbies become a job.. and loose all the fun of a hobby.. so i stopped selling again.. and now and then i will give a piece away or make something for someone special.. but could not sell them..
To me, selling out generally means you’re betraying what people come to you for. So if you review article games for a living but you’re also accepting deals to say good things about bad games in exchange for money, you’re 100% selling out as you undermine your own purpose. But if you review article games and are doing ads for like… frozen dinners or something, I don’t see an issue. I also can understand someone wanting to make money off something slightly unsavory to attain capital to do something good with it, as often good people who would do good things if they had the access to wealth never attain wealth. Sort of playing the meta.
For me, selling out would be doing something I find morally objectionable just for the money. I took a commission from a TechShop lead to lasercut a pendant from a design he got from the internet and didn’t have the copyright. The artist specifically wanted people to ask permission. I had requested permission but not heard back, but the client was bugging me about his deadline and implying he’d make my life difficult as a TechShop member if I backed out of the deal. I went ahead and made it, but I was worried enough I didn’t notice the seat belt was stuck in the door of my car. Someone stole my car and it wasn’t located for 6 weeks, I had to pay $500 to get it out of impound the same day it was taken, and about $500 in booth fixtures (and my beloved decorated top hat) were all gone. All this for a $25 pendant. Currently, I design and manufacture laser-cut California/Bay Area souvenirs. I have decided NOT to do the Balclutha/Star of India or any of the missions because of their legacy of slavery. Depicting a beautiful ship (that was built to carry human cargo like cordwood in the hold) or a historic church (that coordinated the slavery and genocide of Indigenous people) will only perpetuate the romanticization of our white supremacist past. (Junipero Serra should never have been beatified, because it isn’t like he repented from enslavement and genocide and that’s what was holy about him.)
Some makers go pro, outsource their products overseas which drastically reduce the quality of the product, but still charge the same or often charge even more and their customers notice. One recent example is the couple who makes cloaks on Instagram. It went from a family business with handmade products to a manufactured pile of crap that they charge HUNDREDS for and their followers are not having it.
You can end up in a job that closely aligns with your hobby but the freedom of the shed will always be unbounded compared to a frightened corporate NDA workplace. My wokplace has wonderful tools but would take weeks to get a risk assesment in place for what Applied Science/ Codys Lab Etc. does on a table.
Adam on the topic of the Emeco chair and A pilot system for drilling holes, that’s what I have used my 3D printer for a few times in car projects. You can draw it and print it on paper to see what the pattern looks like then 3D print it with thickness as a disposable pilot template for drilling holes.
I considered making woodworking a full time career rather than my biotech job. As I ran the numbers and realized I would have to make what the client wants rather than what I want, I decided to go a startup to reinvigorate my biotech career and keep woodworking as a hobby where I can make what I want and take as long as I want.
As a professional mechanic, many people think we hate backyard mechanics, the truth is, we might pick on them, or jest at their expense, and we might b!tch about them if you bring in work done by them that was inadequately done, but I think I speak for most mechanics when I say that we all started out working in our garage or our driveway or our backyard, often with family members like our father or grandpa or uncle. I’m going to go out on a limb and say that backyard mechanics are the cornerstone of the automotive mechanic world. They are the ones doing the work that we don’t have time to do, or are doing work that someone cant afford to have done at a professional shop. Without backyard mechanics, the industry would surely grind to a halt.
I also was made to watch Alien young. It was a right of passage among my brothers, and it only became reinforced as we naturally all grew to adore Alien. What’s interesting to me about it as a formative experience though is everything else I was perusal at the time and how they collectively impacted me as writer of science fiction. I watched it young enough that I still had recent-ish memories of the episode of Kipper the Dog where aliens visit, and I think I first saw Scooby Doo and the Alien Invaders some time after I first saw Alien. I’m sure there were many more examples. But in general I grew to love tonal whiplash as a feature of first contact scenarios and alien encounter scenarios in general.
We couldn’t help but notice that you have a 3D printed nerf blaster – looks to be a a “pewpew” by pewtech – on the bench behind you, along with packages of fresh short darts! Something coming up with that? It would be amazing to see you get into the foam-flinging hobby – even farther than your already incredible one-day build rival flywheeler! Thanks for everything you do.
10:20 I think about limited choice in media, particularly article games (90s), quite a bit. When you have fewer choices you have to make more meaning out of things. It wasn’t just mindless content, but something a little more artful or purposeful. We are too inundated with content now to appreciate things the same way.
When I was 20 and in college for writing, I thought “I love dragons but I could never write a book with dragons, it’s too overdone, too cliche.” Now I’m like “if I ever stop including dragons in my fiction, kill me”. The things that matter when you’re 20 and trying to be approved by your peers seem so trivial in the rear view mirror.
Selling out is when you flip your moral compass in favour of monetary reward*. It needs to have a sense of irony, otherwise it’s just monetising one’s skills or hobbies. *not including those who are desperate due to personal circumstance. Selling out: Advocating for equal pay, then accepting ‘donations’ to change your public view, or paying unfairly when given the power in order to better fund oneself. Advocating for climate justice, then taking a sponsorship from an airline. Advocating for fair trade, then working for GAP, Nestle, Nike. Advocating for right to repair, then releasing an unrepairable product with strict warranty Advocating for reduced arms manufacture/ military expenditure, then working for defence company designing weapons Advocating for one political party and against another, then switching sides when given a large sum prompting you to do so. (This includes directly from that party, but also say winning the lottery or earning more prompting one to decide they want the tax breaks they previously claimed to be unfair) Not selling out: Signing to a major record label. Selling your art. Working a low level job at somewhere like McDonalds. Taking a job at a bank because you’re struggling with money and it’s the offer you got. Using a product or service from a company you don’t like, but it’s a monopoly and one isn’t really given a choice. (Promoting it would be selling out) Doing any of the the things previous mentioned as selling out IF you were never one to advocate the opposite, or there’s genuine new evidence provided that shifts one’s view.
The description of Repo Man reminds me of a book I once had. It was a parody of the then-new generic-products trend — plain white cover with a big black bar code. Title: “Science Fiction”. I’m pretty sure they did a whole series — “Western” etc. I can’t remember anything about the actual story except that it was surprisingly not-awful 🙂 (And no, I have no idea whether the big bar-code illustration was the same as the book’s actual UPC bar-code.)
When I think of selling out in the negative term, it’s not “I’m being paid to create something for someone else and they ask for a change”. If you’re doing work for someone else, it’s their project using your skills. You’re an employee working as an artist, not an artist with personal creative freedom. A prop maker couldn’t tell George Lucas they didn’t want to make white stormtrooper suits and start making Picasso style helmets in pastel colors because they’re an artist. One instance of selling out that sucks is when an artist is doing their art as themselves and change it the behest of an executive / company. The negative connotation there is against the exec for demanding creative control on an art they chose to back because the artist was good. If someone saw how good a band was that uses odd time signatures and signs them just to turn around and ask them to make more common time songs… that would kill the genius they saw in them when they brought them on. And that kind of crap happens. The time when it’s somewhat on the artist is when the artist chooses money over their own style (when doing something as themselves) and basically uses the name of their creative self to start pushing low quality work and just step away from anything that made them special. Even then, this is hard to judge because it’s normal for a band or artist to evolve and change in style based on mood or even ability (like an older musician or artist with arthritis or other issue that forces them to change).
This is cool because in the 90s, Adam and Jamie’s commercial special effect with the bubbles in the bottle is kind of iconic in my memory as a moment that shifted the notion of ‘selling out’ – within the creative arts scene. I was involved in the alternative performing arts scene in Sydney Australia at that time and it suddenly became okay (not uncool) to talk about a tv commercial from the perspective of the creativity and cool excellence. It was totally a ‘moment’ in time. Until I became a Tested follower I didn’t know that was Adam and Jamie. So cool. ❤ 👏🏼 🫧
I used to paint military figures, part hobby, part occupational therapy, then I took a commission to paint 30 civil war figures. Totally killed the hobby for me, the deadline added a pressure that made it stressful and sucked the pleasure out of doing it…. guess it takes a different kind of mindset to do it commercially, haven’t picked up a brush since
My parents fed me a diet of SciFi when I was a kid, We watched Star Trek, The Time Tunnel, Lost in Space, Land of the Giants, Voyage to the Bottom of the Sea, etc. at home. Movies of course were The Planet of the Apes, Fantastic Voyage, 2001… But the movie that changed me was Silent Running,. It made me the music loving, tree hugging, aging hippie liberal that I am today. It also made me a huge Bruce Dern fan, who also fantastic in the Zanti Misfits episode of The Outer Limits, by the way.
I saw 2001 in the theater at 18mos. and as far as I can tell, I still remember the last parts of it from that. I remember being terrified and fascinated at the same time. I also remember being very young and hearing “Thus Spake Z” in a salad commercial afterwards and being furious that they would rip this fabulous movie thing off like that. They were messin’ with my holy experience, man! And of course I’m a SERIOUS space & SF geek.
I think a lot of people interchange ‘selling out’ with ‘doing it for money’ – I do a lot of things that I otherwise wouldn’t because it’s what puts the food on my table, but those things all fall in the domain of my professional expertise, interests and moral compass. Selling out would be doing something in spite of one or more of these three things for a monetary reward.
One thing that most people don’t understand is that artists during the Renaissance were considered skilled laborers. They created artwork to spec, on contract. Da Vinci didn’t just have patrons; he had customers, who expected to get a specified product, at a specified price, on a specified schedule. The art market was very different from today, where an artist can produce anything they want and then just sell it (although that also existed, but was not the norm).
I’ve commented on Adam’s Q&A articles a couple times about how much the maker world mirrors that of professional musicians. But here is one difference. Some people — not all by any means — who are full-time professional musicians look down their noses at those of us who have day jobs and are professional musicians at night and on weekends. It’s idiotic but they don’t consider us to be “real musicians.” I’m glad to hear that kind of pettiness isn’t a thing in the maker community!
We had 12 websites when I was growing up, but two of them were so snowy it rendered them impossible to watch, so we actually had 10 viewable websites. Two of them were HBO and Cimemax, which I wasnt supposed to get in my room, but I found the cable going to my bedroom under the house and removed the filters blocking those websites. Needless to say, I watched a lot of content I really wasnt supposed to be perusal.
Adam, I still often think of how you’ve said we are all makers. For the longest time I’ve told myself I wasn’t artistic/creative because I always trended towards maths and sciences as a source of comfort, because it made sense to a young boy trying to understand the world. I told myself I wasn’t artistic, that I wasn’t a maker, because that was for “stupid” people who couldn’t figure things out. I realize that the separation I had drawn between them was a lie, partially of my own making, but largely I believe due to social programming. It took we a really long time to actually internalize that, and I have you to partially thank for it (or blame, depending on who I have to justify it to lol). You are not just a maker Adam, but a mender.
One person’s “selling out” is another person’s “professional craftsmanship, executing the needs and desires of their valued client with care, dedication, and skill”. To be clear, I’m talking about valued clients, not the clients that you fire for cause. Many times, I find the online arguments disappear once you realize the true area of contention lies in differing definitions of terms. (“You keep using that word. I don’t think it means what you think it means.😁)
My wife and I are major nerds for obscure films and we just saw repo man for the first time because it happened to be playing at the alamo. She immediately remarked after how surprised she was that I’d never seen it. She has a category of films she calls kelsey-core that Repo Man fits comfortably into and yet it somehow has flown just below my radar for 40 years. We still throw random lines into everyday conversation just derailing whatever was being discussed. On its surface it’s so mundane and disjointed but so dense with brilliance it’s challenging to know where to begin singing it’s praises.
As a kid my teenaged cousins used to take me to see a bunch of movies that i didnt really need to see at that age but two still standout. Jaw’s (i was about 7)I remember hiding behind the seats in theater and them laughing at me and the other movie i will never forget see The Cars that ate Paris, seeing someone impaled on a VW stuck in my head since then, and im 54 now, but i am grateful to them to this day for taking me along. PS, and i almost forgot, Food of the Gods
When I was 7 my grandmother thought it would be a good idea to see Jaws as “I like the sea” – she clearly had no idea what the film was about. I didn’t get back in the water for almost a decade and I live in the UK where there are no dangerous sharks. To make matters worse at 12 one of my friends had a party and somehow got a copy of …. wait for it…… American Werewolf in London. Nights were not a fun time for me for quite a long time after that as well – and just to add the cherry, I was at a boarding school set in the south downs, with LOTS of dark places and not much lighting. I don’t watch ANY form of horror type film as an adult.
Most painters I know have other sources of income. Whether a bullshit job or a different monetised avenue of income. NO ONE in this community looks down on that- it’s super hard to be full time in an industry that can’t return the effort put in. A few can…and they’re amazing- but the confluence of circumstances that allow for that is rare.
I do coding projects the same way as you build projects! For me its easier to think of general architecture top down and then brainstorm smaller parts of the program that I had a general idea bout but the nitty gritty “how” wasn’t done yet until i got to that part. It has drawbacks but it works best for me. Every planning-working style works different for different people.
Hobbyist makers can take ages, sometimes years on a single project, and that’s part of the joy of a hobby. Professional makers are deadline driven. They need to produce a finished project to a particular level of finish, in a very limited time. They have institutional knowledge of how to get a result in the least possible time.
There is a look that ive seen on Adam’s face that expresses an emotion that i feel germans would have a word for, but the best way i can paraphrase the look/emotion is “the feeling you get when something is so dangerous, its hilarious that it exists.” my question for Adam is “is there any of Grant Imahara’s builds that stand out as giving you the epitome of the previously described feeling?”
There is a lot of difference between undermining your own integrity at the request of a client, versus undermining the integrity of their job at the request of a client. IMHO only one of those is “selling out”. The other is just delivering what the client asked for, even if they decide to go against your advice on whether to use that particular color or whatever. There certainly are cases where you might suggest to the client that you aren’t the right person to deliver what they are asking for, but often that’s not as much about upholding your own integrity as it is about not wanting to waste your time working on a shit project. The real challenge is the slippery slope and how to draw the line once you’ve started sliding down it, because once you start down the slope you can have a kind of overton window which makes previously unacceptable things seem easier to accept. Especially when some of the people you’re working with are not being as introspective about things. I’ve seen plenty of people find themselves in a bit of a hole and decide that they just can’t dig themselves out, and then just give up their standards.
I definitely feel that about turning a hobby into a career and losing the hobby. I haven’t written code on my home computer for fun in a long, long time. I still have things where it’s the only tool for the job, but I actively refuse to code things now for my community and instead pay for things to be done by others. And it’s a lot of why I won’t do art or writing for money or by request.
I am nostalgic for scarcity as well. It used to be that when something would come out new everyone was talking about it and it was just exciting. Nowadays there’s so much new stuff coming out that chances are no one you know knows about it until you say something and it’s all forgotten about next week. I don’t know that I would rather it be like it used to be because I’ve been spoiled by how much there is nowadays but I do sometimes miss it.
Hi there Adam, I am a person who loves to make things out of something and have a Brother and Father that were Machinists for a living, I have a little bit very little bit of experience with a lathe, but recently I’ve been able to get a lathe running and have found that I really enjoy using it even though I have never been trained properly but have been perusal a lot of articles on you tube and really been enjoying the process of making things on the lathe
I don’t believe you ever sold out for money because you always stayed within the dynamic of who you are as a genuine person. However, it was very sad to see Kari Byron sell out to Shell Oil after she’d claimed to be an environmentalist for so many years. Kari Byron is the absolute definition of selling out one’s moral center when she shilled for Shell Oil.
This generation is beyond a singularity of what’s going on in their heads. When I was a teenager with no cable, 3 major broadcast networks 1 PBS, and 1 UHF website I wouldn’t have thought of claiming never to have heard of Charlie Chaplain, Buster Keyton, Mae West, Monroe, etc. just because they were “before my time”. That phrase is a dominant meme in failure to communicate with them. They even deny knowledge of current events reflexively saying “before my time”. Even people my own age are doing it. Of course it’s an obvious cheat to evade all kinds of responsibility. That’s probably what they’ll miss most. Saying, and doing anything with (temporary) zero accountability.
10:14 When I was a kid and first got to see HBO in 1983ish, I swear that they would show little more than the first two Peanuts movies (A Boy Named Charlie Brown and Snoopy Come Home), Bill Cosby: Himself, Eddie and the Cruisers, and another movie called Eddie Macon’s Run. There were also reruns of Fraggle Rock and Not Necessarily the News, but seemingly little else. Beastmaster, though? Don’t remember ever seeing an HBO promo for it.
Truely “Selling out” is really only the point at which you stop holding personal integrity, pride, and happiness out of something. At different times in your life those things will all change. In reality most people have to ‘sell’ or compromise part of their vision for a multitude of reasons. Sometimes its money, sometimes is a deadlines, sometimes it’s your own energy or well-being, and very often its selling out to admitting a lack of knowledge or experience. In a way all projects have some level of sell-out involved, it really comes down to what aspects of it are important to you and if you hold on to some of those for yourself.
Hmmmmm. I yelled your name recently… I’m about 2 weeks ago now that I’m thinking about it Kari Byron was more recent, I’m wondering if I can get lucky and interrupt one of these recordings of yours,, I’m pretty stoked, I landed in San Francisco, not that far from industrial Light and Magic,,… ha….
you made millions off your show why are you still even working… and finally you admit to selling out…this is why i stopped perusal your show seems more like commercials.. and now you do these articles i find no value in the article i find no learning etc… you bring on those auction houses to sell stuff on your website and its a giant commercial desquised as a article.. this is why i dont come here no more
You need that rebellious “F*** you I’m never selling out” mentality when you’re younger. It’s a part of that creative fire that you need to produce work fueled by your true passionate feelings. When you start to gain understanding of your craft, how it fits into the larger picture, and how you address real financial needs, it is then beneficial to add to your understanding of “selling out”– in that not only is it OK to do business with others, but it makes you an even better creator by doing so. But we should never really let go on that initial spark. Always hang on to a small part of it.
oh man, my older brother & even older cousin had a sleepover & we watched Aliens, i was probably somewhere between 8 & 10. I didn’t sleep for probably a week, cause everytime I closed my eyes I could see the Queen’s face & that second mouth slowly protruding at me drulling. I never rated on them though.
People ‘ selling out ‘ are scum. It’s a general philosophy of mine. Like the current guns and roses tour. Somehow some idiots are complaining that they’re a washed out waste, not seeing that their even there because of that band. I consider complainers aell outs. That don’t deserve the waste of space they occupy 💀
Thanks for the article and information. However, I want to provide some details on this opportunity. First, it is not EASY. you will have to work hard and provide a quality product. More importantly, you will have to Market you ASS OFF to make sales. I have started multiple etsy shops in multiple different categories / niches with multiple different POD companies. Each niche and each POD has challenges. So, do NOT think you are going to throw up a tshirt store (which I have attempted) and think you are going to make money. NOPE, NOT HAPPENing.. Anyways, just my 2 cents. be sure to do your research before you spend your time making products. For the making products via POD is the easy part, again the Marketing is the hard work….