De Chirico’S Lofty Philosophical Interior?

Giorgio de Chirico, an Italian metaphysical painter, created a series of metaphysical paintings in the late 19th century. His works often depicted sparse environments and small crowded rooms filled with objects, which were a stark contrast to the sparse environments depicted in his earlier works.

One of his most famous works is “Great Metaphysical Interior”, which depicts an entire factory complex with a stark courtyard filled with eight or so individuals. This painting, owned by Surrealist poet Paul Éluard in the 1930s, was considered a model for exploring the unconscious through dream imagery. De Chirico’s work from this era was termed “Metaphysical Painting” by French poet and critic Guillaume Apollinaire and became fundamental to the development of Surrealism.

However, situating Giorgio de Chirico’s metaphysical works within his lifetime is complicated due to incomplete records, his practice of deliberately falsifying dates, and the difficulty in properly situating his works within his lifetime. His Metaphysical paintings had a profound influence on the painters of the Surrealist movement in the 1920s, and his work is known for its eerie mood and strange artificiality of cityscapes.

In summary, Giorgio de Chirico’s Metaphysical paintings, including his works like “Great Metaphysical Interior” and “Invincible”, have had a significant impact on the development of Surrealism.